||[Jul. 23rd, 2008|09:00 pm]
Team Dynamite Lazer Beam
|||||the kinks - lola vs. the powerman & the moneygoround, Part 1||]|
Here's a piece for my next comic project after i've finished fishboy, henry's forest.
This picture can be viewed in an astonishing array of sizes:
I also took some photos while making this picture to warrant this helpful making of tutorial thingy, that may interest people who have a surplus of browsing time.
Here is a badly pasted together photo of my "work space". You may want to make sure that your "work space" is a bit larger than this one to avoid over-heating, clostrophobia and loss of sanity.
Sketching is key to comic up with ideas. I doodle quite alot, if you doodle loads i'd urge you to invested in a sketchbook to keep those little ideas safe.
After i've invented the characters and drawn them a few times i do a little thumbnail of the sort of composition of the big piece i'm about to draw. The composition inevitably changes quite a bit, but it's good to have the basic structure planned.
For sketching stuff i like to use a 0.5mm Pentel mechanical pencil. Mechanical pencils are great as they stay sharp and rarely break. You could use a blue pencil that doesn't show up when scanned, but i prefer the preciseness of a pencil, just rub out the lines when you're done it's not that much effort.
The small drawing up there was inked with STAEDTLER pigment liners, my second favourite method of inking. I didn't use fine-liners on most of my stuff but i thought it'd be important to show them. I have a variety of sizes because i never know how big or how small or how much detail i'll be putting into a picture.
Now after I sketched it out i begin inking with my series 7 Winsor & Newton "SIZE 0" brush and india ink. It's high quality stuff and it costs a bit, but it's totally worth it. I'm not even that experienced with a brush yet, but it's alot of fun to ink with and you can really get good line variation. Always have some water in a cup or something standing by and maybe some tissue paper or toilet paper to blot the ink with.
At this point i get interrupted by my high maintanence cat Molly. She meows when she wants attention and she doesn't stop until she gets it.
I follow her to my parent's room and stroke her til she settles. This is an important part of my art-making process, you may not have a cat of course so just replace this cat with whatever distraction you may have... be that a girlfriend, a boyfriend, a spouse, a chimp, porn or some sort of disease.
Now it's time to scan that mother. Seeing as this piece was done on A3 and my scanner is A4 I had to scan it in two parts, which is always annoying especially when you have to fuse the two images together in photoshop.
Now that it's scanned, on Photoshop CS2, go to image - mode - and select GRAYSCALE.
Then go to image - adjustments - and select LEVELS. Adjust the levels so the inks are as black as you want them.
Now after you've done this you'll want to put the image mode back to RGB COLOUR. Then you can make a new layer underneath the inks, for the colour. Set the inks layer to "multiply" then you're ready to start the horribly long process of colouring!
This is my trusty wacom tablet, that is another tool i'd highly recommend you invest in if you're going to be doing alot of colouring on photoshop. Wacom is the best, don't bother with any other brand unless they're truly spectacular.
Now i just slap on some colours before i colour it propperly. Mainly to get an idea of the overall colour scheme from a distance. Zoom out so you can see how the colours mix in the picture overall. I don't know much colour theory, but if you do this would be the time to implement that knowledge. Then after you're happy, zoom in and polish it off.
Resize is however you want and you're done. Hooray!